Picasso: Artist Extraordinaire

It was as array of d avercast exclusively in all over almost were c anile, some skeptic, some with the confide to escape and mellow in the sky. Some were intense and challenging, while some another(prenominal) were diminutive and soothing. in concert they reflected the state of their creator, who was whence at the crossroad of his vivification Mr. Pablo Ruiz Picasso The genius of the geniuses, Pablo Picasso has unexpended quite a hardly a(prenominal) contents for the balance of the world and genuinely important one at that because it is in the nerve of those messages, lies the secret of his success.His lively power point happens to be a prominent slice of a createer who would rise to the zenith of name and fame later, such(prenominal) like a phoenix from the debris of discouragement, pathos and taunting ambience. Even a peep into his carriage would evoke anyone to identify the bluing period as his backlashboard anyone would be excited to discover that how a lot power a penurious condition washbowl generate for those who are willing. His life highlights the positive collision of destitution and drudgery in the reservation of a genius.The canvas of Picassos life, in fact holds a scene that would always speak close to the potential of human encephalon that it is like a magic spring the more you suppress it, the more it garners energy to outmaneuver its obstacles or, from another perspective, it is from the bedlam the universe of Picasso was born The facts of Picassos life shatters a good many myths about chances rule human, and substantiates the fact that it is human creations who create chances a lesson as sparkling as a diamond to those who are deprived by the affluence of even grassroots amenities to roseola to their best.Thus this essay makes a humble survey on the life and works of this get well of the masters, Pablo Picasso, with special emphasis on good-for-nothing menses, and how it impacted the proceedings of his life after, forrader reaching its receive conclusion about the special messages that one can learn from his life besides, indicating on the impact of Blue level over the artisans drives.The protagonist, the central character of this magical example of human triumph, Pablo Ruiz Picasso was born on October twenty-fifth in Malaga, Spain, in the year 1881 and went to live on earth for 91 years, holding a rum collage of events, inventions, rendezvous and, most importantly, clip-winning creations between the years of his charismatic existence. Thus it is im possible to discuss the Blue period without knowing about his background, which had a solid bearing on the rest of his life. A peasant Picasso would mingle with the gypsies, the outsiders of the society their bohemian lifestyle had been a source of attraction to him (Picasso Magic).It was his father Don Jose, who was an artist, a museum curator and a teacher all rolled into one, identified the latent talent in Picasso ver y early and engaged the boy into art. After having initial lessons from his father at home, Picasso joined Academy of delightful Arts at La Corupa, Spain, where his father was a teacher. He was then only a boy of 14 years, plainly that did not deter him to master the nuances of anatomy. That stint was short-lived as the family moved on to Barcelona, Spain in 1895, where both father and his son joined the Academy of Fine Arts, one as a teacher and the other as a student.Here the genius in Picasso first appeared before the world, when he shock everyone by qualifying for the advanced classes, after proving his astounding capabilities through completing the entrance test in a single day, which even the older boys would hand taken whole month to complete The panel board of the entrance tests instantly declared him a prodigy. (Picasso Artist Extraordinaire) During their stay in Barcelona, Picasso came across a new experience, and that was of nude statue study and pictorial matte r of the models. His uncle, Dr.Salvador Ruiz Blasco, who was very much impressed by the talent of the two-year-old boy, had arranged everything for Picasso in his house at Malaga (Picasso). Next year he had his first ikon making way to an exhibition. And no wonder, Picasso felt he has outgr induce this academy very soon as he left it to join at the Madrid Academy which he would leave besides in no time before joining the band of young avant-garde artists, writers and poets, who would gather at a local tavern, Els Quatre Gats and were cognise as modernistes (Picasso The Early Years)This group would discuss the revolutionary ideas under the then context like symbolism, pictorial arts etc. and accorded the French art nouveau, which used simplified versions of artistic nuances. Most of them were plagued by parsimony, and olibanum were on the same boat of poverty and uncertainty. Picasso visited Paris in October 1900, and from then on kept on shuttling between France and Spain . At this time Parisian nightlife caught his fancy and that resulted in some of his works that depicted vague cafe or the destitute pack, besides his usual works of landscapes, portraits.That was the foundation of this not bad(p) man before he decided to meet the world with his treasure of art with no footing whatsoever in the elite circle in the Paris, which was considered to be the stepping stone for an aspiring artist. And, he came, he worked, and worked, and worked before go forth behind a legacy of a goliath. Blue Period In walked 1901 by then his childishness favorites, the gypsies, by chance vanished into spicy, but the spirit of their bohemianism might have facilitateed him to shrug off the short sexual climaxs of not being a racy-eyed boy of any of the denizens of the art world of Paris.Yet, how would he know someday the world would assign his formative years before becoming a true- piquant artist, as Blue Period In this period, in particular between the perio d 1901-1903, Picasso had been able to gain direction in his painting, while his personal started evolving out of the situations, other lynxs works and his deep understanding of the situations. This was the beginning of the Blue Period, where Picasso decided to confine within the food coloring scheme of blue which has already been considered as the color of pathos by many. That idea and the ongoing parsimonious refining among the budding intellectuamyotrophic lateral sclerosis around provided him the necessary momentum to stick to his decision (Blue, 2007). Thus this new key of painting by him started appearing in public where he sensiblely highlighted the hapless state of humans with the mastery of forms of and usage of blue, which proved to be revelation for the contemporary art world (Picasso The Early Years). The period 1901 1904 is roughly considered as the Blue Period of this great painter, when he would do his paintings and sketches mostly with various shades of blue. That metal money might outwardly justify itself with this strange practice of Picasso but on the deeper level, the same coinage carries the connotation of a lone struggle of a painter that was further made difficult by emotional swings with the death of his dear friend Carlos Casagemas who committed suicide after failing in love. Casagemas was the shove pal of Picasso. Thus the shock of death and horror of suicide dominated in his painting, The death of Casagemas, which excessively bears the testimony of his learning process as the painting has clear influence of Van Goghs style.The same can be said about his his work Portrait of Jaime Sabartes (the beer glass), which reminds about Absinthe Drinker, a painting make by Gauguin (Blue, 2007). He created 3 portraits of Casagemas as a corpse, the last of his pictures showing colors for a protracted period. The Blue Period also holds an account of Montmartes nightlife, where Picasso and his friends would visit regularly. Those carefree moments, however marked by confinement to enjoyment or engulfed by the cloud of uncertainty, sparked the imagination of this great painter.There were plethora of events, adventures and moments of solitude and despair a constant swing between those two extreme poles perhaps made him more resilient inwards, distinctly how could he depict the sorrows of others so vividly? One such instance might add some color to this essay. Once Picasso went to visit a womens prison Called St. Lazare in Paris, and found nuns were serving as guards. That prompted him to paint Two Sisters, which evokes the image of Mary in mind, more because of the presence of blue rather than anything else (Picassos).Then, there was this painter in his twenties, Picasso cramped by extreme poverty and grief, was in all blue, before he became a star in the world of art. It was a period when he would mark it difficult to arrange two square meals a day, save spending for oil paints and canvases or socializing with impresarios. Yet he worked on that was the only thing he could do he worked on with whatever he had with him cheap blue color, a heart wailing for the lost friend, wondrous ideas in head, and, enormous zeal to communicate with his own visual language.And, it was that blue color, already recognized as the color of inner grief, had provided him the perfect medium for his message of the time. Thus it became blue all the way, deep, light, dark.. in every possible way it aided Picasso to express his sorrows in all possible dimensions be it form, content or medium all of them would echo the inner chaos of a twenty-year old who has just started the battle to gain his ground in one of most devoted colonies of art and culture, and right at the kick-off who received a jolt by losing his great friend and aide in Paris.It was that chaos which gave stimulate to the paintings like Trait (1901) or The calamity (1903), which puts forth his desire and despair while his self-portrait presents him as a happy-go-like romantic man with dreamy eyes, The Tragedy looked all sobernessy, down in despair, where a family of three are looking downwards, visibly hopeless and as if nowhere to go, nothing to eat, and have nothing left to meet the basic needs of today, save the tomorrow That was a beggar family whom Picasso cover by clothes, yet made naked with poverty, something he himself shared with them in this period.This speaks of the dichotomy that was prevalent in the time and also in the mind of Picasso, because, unless there was inspiration from both inside and outside by any means, Picasso wouldnt have been bent on to create such paintings of two extreme poles in keep mum interval. Another interesting aspect of those paintings is their coming of age in a new avatar that communicate of Picassos own poor state, where he could not afford to buy canvases for new drawings and had to settle on the old ones. What comes out in the end is the result of the discarded fund s (Picassos Technique), he would say, perhaps to find a solace in his finesse in recyclingIn fact, the researchers could find that the canvas used for The Tragedy contains sketches as old as 1899, while The Tragedy was finished in 1903. So much so, with the help of x-radiograph, they have been able to decipher that those sketches gave birth to one of his bullfight paintings. This clearly shows how misery had forced this great genius to abandon his work for the interest of new work. Perhaps all that boiled down to a sentiment, which saw a recurrence of the theme like desolation of the outcasts in his paintings of the Blue Period.Time and once more researchers have identified Picassos penchant for using excessive blue in this period as his conscious decision to use it as another medium of communication. And he did that with elan the figures he depicted in this period was mostly of the lower rung of the society, ranging from beggars to prostitutes or the circus-people even not to le ave himself or his in straitened circumstances(predicate) friends he dowsed all of them with blue to depict the world of despair that usually engulfs when people are caught with limitations and uncertainty.Obviously all his works are endowed with his mastery over form and content, yet it was blue that adds more dimensions to them, and at times, even issues more appeal than everything. He even would wear blue clothes in those geezerhood Associating colors with sentiments was nothing new, yet the utilization of a color as the medium of the message was erratic in his case. The use of blue color to depict sadness was prevalent even in the Anglo-Saxon culture (Pablo, 2007).However, Picassos own statement, It was thinking about Casagemus that got me started painting in blue (Pablo Picasso blue period), helps all to run his perspective of blue as a language of inner grief or melancholy. This was supplemented by his own poor state where it became hard at times to arrange a good meal. M y dear Max, I think about the room on the boulevard Voltaire, about the omelets, the beans, the Brie and the fried potatoes. exactly I als think about the days of misery, and its quite sad, So he wrote afterwards to his friend, poet Max Jacob, the partner of his attempt days.Alongside, Blue Period was nonetheless a training session for Picasso, where he experimented with low light conditions, which perhaps gained momentum from the proverbial presence of pathos in blues or the prevalent culture of the then intellectuals who wanted to glorify by the poverty or take pride in the idea that an artist is generally considered as an outcast There was definitely another reason, and that was his intense desire to be different from the crowd The qualitative chemical elements achieved by the use of blue also signify his tendency to experiment in those days.The paintings of a boy of twenty years as if serving as a passage to the dreamland with blue spectacles that was something unthinkable before the traditional art. Some of his paintings would evoke a pall of gloom with the deeper shades of blue yet the quality of luminance in them would make anyone stop and think about that gloom for a while. Thus, blue served for him as a strong language of visual communication. The presence of poverty and extreme difficulty has been reflected in most of his works in this period, either directly, or indirectly.For the first instance, the painting Frugal Repast depicts a destitute couple sharing a frugal supper of bread and vino Crouching Woman depicts the hapless condition of a lonely, poor woman. He went back to Barcelona and started a painting with labyrinthian allegory called La cope, a remake job over his earlier Last Moments, which took loose from being a self-portrait to someone resembling Casagemus by its features, thereby making the journey of his Blue Period coming to a full circle with a tribute to the departed friend.Set in a studio, La manage is considered as one of the most complex works done by him, and in the context of the period, contains the essence of his learning in the Blue Period, the lessons of which were mostly about the cruel side of the world, and were about how one could find the right path to move on. The scholars are still divided about the message hidden in this painting, where a nude woman clings to a male with only white loincloth on who as if points towards another woman in heavy dress and holding a baby in her arms. These three figures stand behind a perspective that contains two canvases set on different layers, where two clinging nude women adorn the upper canvas while another such figure is seen on her knees (La Vie, 2006). Perhaps this complexity, this enigmatic, personal statement in La Vie speaks about the acorn that was now ready to bloom as a giant oak this perhaps the most potent message conveyed by this painting of the master. Elements of Blue Period John Richardson, Picassos biographer and his close friend, had almost devoted his life in deciphering the enigmas that are mold with Picassos phases of evolution as a multi-dimensional creator.In that research, Blue Period holds a special place. Before anything, Richardson weighed certain elements that had influenced Picassos mind right at his childhood. Richardson drew a parallel of Picassos lifestyle with the philosophy of the gypsies and in the occult culture prevalent among the members of Andalusia, a arena in southern Spain, which is the native place of Picasso. According to Richardson, the people of that region were found to be superstitious in nature, which would affect their actions too, and Picasso being one of them could not escape that influence.Because of being superstitious, once he found appreciation for using blue tone in that period and people accepted that, he had considered it as a good omen for his painting career and was stuck to it for quite onetime(prenominal) (Picasso Magic). Even his days at La Coruna substantiat es such claims of Richardson, where a young Picasso was deeply moved by tarot cards (Picasso The Early Years). There can be another argument that points at a unique confluence of events that led to a series of blue creations by Picasso. This corroborates Richardsons assumptions too, by taking the superstition factor into account.This idea conjures up situations like Picassos superstition about blue, his belief that blue is the messenger of inner grief, and his childhood and the then stand with poverty or grief-stricken people. These situations might have been culminated into a series of paintings with blue tones where Picasso wanted to give vent to his pent-up emotions, or he wanted to depict the haplessness of the poor or outcasts like gypsies or circus people, and he wanted to present them in a medium which he thought would convey the message best blue.And he was conscious of his own poor state too thus he didnt mind for once to operate from reality by including himself as one of the subjects of Blue Period. He did not ignore the pathos within him, and instead, accepted them as the way of life. This idea is corroborated by Jaime Sabartes, then his closest friend Picasso believed Art to the son of Sadness and Suffering that sadness lent itself to surmise and that suffering was fundamental to life If we demand sincerity of an artist, we must remember that sincerity is not to be found outside the realm of grief (Picasso and the Mood).In all, this was the period where he was tested by all possible roadblocks, which had forced him to bring out his best to cope that challenge. This was the period when Picasso stepped into the mystic realm of spiritualism and diaphanous ideas all fueled by death, despair, poverty and uncertainty. Therefore, this period in his life had gifted him the prime elements of success, all in disguise the required zeal, the expansion of mind and deep feeling for fellow humans. ConclusionThe Blue Period of Pablo Picasso is essentially a documentary of a collage of situations, which not only unfurls the stages of Picassos blooming as an artist, but also refers to certain ideas about the then social condition, the locomotion of art and culture of Paris, etc. But the greatest messages lie in another direction where this period talks about how ones childhood association creates impact on ones creative pursuits, or how a human being emerges as victorious in front of the challenges of extinction.This era also marks his coming of age with various types of practice, development of ideas and eventually the birth of a new style with seeds of his other periods like Rose Period or Cubism. The gathering of a bubbling gang of intellectuals at Montmartre or Picassos association with them, all speaks about a wonderful movement of art and culture led by people who even took pride in considering themselves as outcasts for the sake of art.Together all these, Blue Period depicts a unique march of time, which not only benefited Pic asso to rise his efflorescence in the future, but also it provided a solid documentation of time. Pablo Picassos Blue Period is indeed a lesson to all who are interested to fight and win from the wretched state, besides the aspiring painters. It also highlights the military force of death and the power of humanity over the creative manifestation of perfection in an artist rest lies with Picasso himself, who took away a lot of hint with him, leaving a big box of enigma for the posterityEnds Works Cited Picasso Artist Extraordinaire. . . 4 Dec. 2007 . Blue period. . 3 Dec. 2007 . La Vie. . Cleveland Museum of Art. 4 Dec. 2007 . Pablo Ruiz Picasso (Spain) 1881-1973. 4 Dec. 2007 . Picasso Magic, Sex and Death. Ed. W Januszczak. 4 Dec. 2007 .Picasso and the Mood of a Painting. Color Vision and Art. 4 Dec. 2007 . Picasso. Ed. H. L. C. Jaffe. 4 Dec. 2007 . Picasso The Artists Studio. 3 Dec. 2007 . Picassos Blue Period 1901-1904. . 4 Dec. 2007 .Picassos Technique. 4 Dec. 2007 . Rubin, W. Picasso in the Collection of the Museum of Modern ArtRev. 5 Dec. 2007 . Warncke, C. P. Pablo Picasso 1881-1973. 5 Dec. 2007 Picasso The Early Years, 1892-1906. 5 Dec. 2007. . Pablo Picasso blue period. 4 Dec. 2007. .